On Prince
Edward Island the shore fields roll away down the hills to the edge of the sea.
Queen Anne’s Lace graces the margin of the roads, along with goldenrod just beginning
to bloom, and clusters of wild pink bramble roses. The shore fields themselves
are a patchwork quilt; squares of variegated green, hay, oats, barley, wheat,
yellow canola too bright to look at, endless fields of potatoes; patches of
purple heather and untamed fallow fields resting now for the season. 
            The fields
are marked out with hedgerows and the hedgerows themselves are dominated by
island pines. The trees, some in the shape of Christmas yet to come, march down
to the red rocky shore line. Here and there a single pine stands majestically
silhouetted by the sea. As the light begins to fade into darkness the moon
rises quickly over the Northumberland Straight casting a broad swath of
hammered silver along the rippling waters.
            Small farm
houses decked out with hollyhocks and orange tiger lilies are set well back
from the road. The road itself wends its way gently down towards the
harbour.  The beacon of the lighthouse
shines brightly against the encroaching night. The warm lights of homes
clustered together like bramble roses speak of the warmth of families, food,
and of refuge from the lonely dark. These are the harbour lights along the
shore.
            Approaching
the Island from the sea the reflected light of the moon rising in the sky casts
a silvery sheen on the water off the starboard side of the ferry. Ahead of us
the water is smooth and black as we draw close to the shore line. The coast
line itself appears only as a humpy rise of deeper black barely distinguishable
from the black of the sky and the sea, but there are along the shore some
lights at its edge. One light higher than the others is brilliant and blinks on
and off with its designated rhythm. If you know this coast and count the rhythm
you will identify this lighthouse as the Wood Islands Light, and the lower
lights around it as the small cluster of buildings marking the Wood Island
ferry landing. We are in fact seeing a visual illustration of an old hymn.
Brightly beams our Father’s mercy from His lighthouse
evermore,
But to us He gives the keeping of the lights along the
shore.
Let the lower lights be burning! Send a gleam across the
wave!
Some poor fainting, struggling seaman you may rescue, you
may save.
Christ Jesus Himself is our Father’s
Lighthouse. He is the light of the world. 
From far away those who are lost on the sea of many peoples, nations,
and tongues, see His light shining in the distance long before they see the
lights along the shore.  Lighthouses
serve several purposes. Some say “Stay away! Stay away! Here rocks and wreckage
will be found.” Other lighthouses mark the way home. It is the lights along the
shore that say, “Come home! Come home! Here warmth and refuge will be found.” We
are the lights along the shore.
            Not all
seaside villages are equally hospitable. Those who fish the coastal waters of
the Northumberland Straight will tell you there is a difference. In some places
you can set your lobster traps and fish in peace, in some places a malicious
few will steal from your traps and make life difficult for people of whom they
don’t approve. In some very few places bad blood stirred up by an unhappy few
makes hospitality vanish altogether.  
Islanders have a sense of belonging to
the land and to the sea that is enviable. 
Those who come to the Island “from away” seek the peace and
companionable sense of quiet that marks belonging to the Island and to each
other. Some will never be able to belong, whether or not they born here, or how
long ago they settled here.  
Take Mabel, a “Herring Choker” from
Nova Scotia, a loud dominating woman with a wooden leg.  At dinner with the neighbours the other night
she held forth; she would never have Venetian blinds in her home, only
curtains. Our hostesses home has blinds in every room; but to Mabel blinds are
dirty. According to her, Reggie, the fisherman she has just moved in with, will
have to get rid of his blinds. Reggie says with an odd smile that he just paid
fifteen hundred dollars for the blinds, to which she retorts that they will
have to go out in the trash. Reggie’s response was missed by some in the room,
“The day the blinds go in the trash there is going to be a wooden leg poking up
from the middle of the trash!” Mabel was not at all daunted and began to loudly
obsess about how she was going to clean Reggie’s place. “I’ll wash the walls
and the ceilings three times a year.” An old Irish expression comes to my mind,
“O, she laughs and she smiles and she shakes her wooden leg.”  
            Later, as
the party thins out, a few quiet bets are offered. “She won’t make it to the
next summer!” “No! By the end of winter Reggie will have had enough.” “She
won’t make it to the spring fishing season!” What is the problem? She is “from
away.” She will always be from away because she can’t really accept what being
here on the island really means.  She
knows everything. She is right. Islanders, many of whom like blinds, need to
conform to her standards and she will bloody well make them, starting with
Reggie. She will always be “from away” and she is too tough an old dog to
change. After all, she has been right all her life.
            By spring
she will be gone and wherever she goes she will tell others “from away” about
the dirty Islanders with Venetian blinds, who are inhospitable and un-accepting
because they won’t do what she knows is right. As long as she stays, this
little harbour village will be in minor turmoil; but I give her only until next
spring.
            Let the
lower lights be burning! Send a gleam across the wave! Some poor fainting,
struggling seaman you may rescue, you may save.” What does it mean to belong? To
belong on the Island one has to accept the Island for what it is, but some
people, wanting to change the Island to fit their expectations, will always be
“from away.”


 
 
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